神變無極 — 陳成球的現代水墨 Miraculous Variation, Beyond Boundaries - Chan Shing Kau's Modern Ink

日期
13/05/2019 - 17:00 - 29/06/2019 - 19:00
地址
盈鑾畫廊
香港黃竹坑道19-21號環匯廣場1602室

神變無極 —— 陳成球的現代水墨

盈鑾畫廊很榮幸為著名香港水墨畫家陳成球先生舉辦個展,誠邀 閣下蒞臨5月13日的開幕儀式。屆時儀式將由香港美協主席及中國美術家協會理事林天行先生、前香港藝術館總館長鄧海超先生及中國銀行(香港)有限公司按揭部主管張先生主持,畫家陳成球先生亦會在場,期待 閣下共同見證展覽開幕。

「神變無極」語出唐代書法家張懷瓘的《六體書論》,意指陳氏的作品有著變幻無窮、了無邊際的現代水墨畫意象。這次展覽精選了陳成球的「天地根」及「錐沙漏痕」系列,展現畫家融合中國書法與繪畫的深厚修養及現代水墨之父劉國松老師的技巧和畫論。

陳成球談及創作理念時表示,為了表現「白線的張力」,他尋找流體(知白)在宣紙(守黑)上緩慢蠕動的軌跡,在半抽象的自由揮舞的線條下,出現了符號化的草體篇章,仿佛大地縱橫、峰巒起伏的胸中丘壑情懷,使觀者能感受到畫面上白線的自然張力。他師從劉國松老師,探索劉氏提出的《白線張力論》及「水拓」、「噴染」、「漬墨」等多種技巧,繼承劉氏「抽象意境的自由表現」之創作理念。

展覽日期:2019年5月13日至6月29日
開幕酒會:2019年5月13日 (星期一)17:00 - 19:00
地點:盈鑾畫廊 香港黃竹坑道19-21號環匯廣場1602室
開放時間:週一至週六 11:00 - 19:00

Miraculous Variation, Beyond Boundaries
Chan Shing Kau’s Modern Ink

Cheer Bell Gallery is honoured to hold “Miraculous Variation, Beyond Boundaries – Chan Shing Kau’s Modern Ink” solo exhibition for renowned Hong Kong artist Mr. Chan Shing Kau. You are cordially invited to attend the vernissage dated 13 May 2019. We are proud to have Mr.Lam Tian Xing, Chairman of Xiang Gang Mei Xie and Committee Member of China Artists Association, Mr. TANG Hoi-chiu, former chief curator of Hong Kong Museum of Art and Mr. Ricky Cheung Chun Wai, Head of Mortgage Sales (Branch) Bank of China to be our officiating guest for the ceremony with the presence of Artist. We look forward to seeing you in the event.

“Miraculous Variation, Beyond Boundaries”, which means infinitely changing imagery beyond boundaries in Chan’s modern ink art, is extracted from The Theory of Six Chirography written by master of Chinese calligraphy in Tang Dynasty, Zhang Huai Guan. “Roots of Heaven and Earth” and “Tracing Series” have been selected meticulously for this exhibition, showcasing the artist’s profound knowledge in merging Chinese calligraphy, painting and “Father of Modern Ink”, Mr. Liu Kuo Sung’s techniques and art theories.

The “Roots of Heaven and Earth” series conveys aesthetics of Chinese traditional culture. Chan once talked about his creative concept in a publication, saying that in order to express “the tension of white lines”, he searched for traces of fluids (reserving in white) flowing slowly on the rice paper (tinted with black). With semi-abstract and freely meandering lines, symbolic cursive scripts which resembled the vastness of earth and hilly mountains emerged, thus forming a unique sentiment for hills and natural tension of white lines which moved the audiences. Chan has been exploring “A Discussion on the Dynamism of White Lines” advocated by Liu and picked up his techniques such as “water frottage”, “spraying and dyeing”, “ink blot”, etc, inheriting Liu’s belief of “free manifestations of abstract imagery”.

Exhibition : 13 May – 29 June 2019
Vernissage : 13 May 2019 (Mon) 17:00 - 19:00
Venue : Cheer Bell Gallery, Room 1602, Global Trade Square, 19-21 Wong Chuk Hang Road, Hong Kong
Opening Hours : Mon - Sat 11:00 - 19:00

查詢
相關主題